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Black Attitudes
On Les Ballets Africains, Adzido, Phoenix and Irie! at Sadler's Wells, Autumn 1990.
One Man’s Writing is Another Man’s Walrus
An assessment of experimental work in the early years of Dance Umbrella (1978-1983).
Forest Fringe: The First Ten Year
Andy Field, Deborah Pearson and Ira Brand began Forest Fringe as a totally independent, not-for-profit space in the midst of the Edinburgh Festival. Since then they have built a community of artists and playwrights, and are consistently rated as being a festival highlight. This collection collates the best of their work from the past decade.
Embracing the Elusive or the necessity of the superfluous
Belgian festival director and curator Frie Leysen challenges Australian artists and arts organisations to be bold, and to challenge an increasingly ossified status quo in her closing keynote address at the 2015 Australian Theatre Forum (ATF). Miscellaneous folder #5A.
Cultural Diversity in the Arts – Art, Art Policies and the Facelift of Europe
This book presents the proceedings of the International Conference on ‘Cultural Diversity in the Arts’ held in Amsterdam on February 9 and 10, 1993.
