Catalogue > By Keyword > Punchdrunk
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On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives
Contemporary Theatre Review, Volume 33, Issue 3 (2023)
On Scent in Theatre Audience Research : Sensory Mining and Olfactory Archives, Freya Verlander
This article uses netnographic research methods, as a form of olfactory sensory mining, to investigate the smell-based experiences of audience members at Punchdrunk’s Sleep No More (2011).
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Magic Me’s Artists Residencies in Care Homes Programme report
Phase 1 report on the project which seeks to challenge ageist attitudes that, being old, residents will not wish to enjoy up-to-date work, and provides care home residents with access to top level arts experiences, even if they are physically or mentally frail.
Part of the Know How: The Study Room Guide on Live Art Live Art and working with older individuals and communities. (P3140)
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Immersive Theatres: Intimacy and Immediacy in Contemporary Performance
Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.
Audience Participation in Theatre: Aesthetics of the Invitation
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Tunnel 228
catalogue for the exhibition Tunnel 228
Fair Play: Art, Performance and Neoliberalism
Part of performance interventions series edited by Elaine Aston and Bryan Reynolds