Catalogue > By Keyword > race
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The Other Story and the Past Imperfect
From Tate Papers no.12
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Rasheed Araeen, Live Art, and Radical Politics in Britain
An analysis of Araeen's performance Paki Bastard (Portrait of the Artist as a Black Person) and journal Black Phoenix.
Found in miscellaneous article folder #5A
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
Acts of Intervention: Performance, Gay Culture, and AIDS
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
Disidentifications: Queers of Color and the Performance of Politics
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Maud Sulter: Passion
The first sustained publication on the artist and writer of Scottish and Ghanaian heritage who lived and worked in Britain. Originally accompanied the exhibition, Maud Sulter: Passion at Street Level Photoworks in Glasgow, 25 April – 21 June 2015.
Includes exhibition programme from Maud Sulter: Syrcas at Autograph ABP in London, 15 January – 2 April 2016.
Every Woman
Video.
While spinning her naked, masked body on a stage to Chaka Khan’s famous anthem, Narcissister redresses herself from clothing she pulls out of various bodily orifices.
4:28
Black Artists in British Art: A History since the 1950s
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
Embodied Avatars: Genealogies of Black Feminist Art and Performance
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
Alternatives Within the Mainstream British Black and Asian Theatres
Six part anthology with chapters on the work of the Black Theatre Forum and the histories of Black and Asian theatres, histories of the major theatre companies, a document of the Sikh diaspora’s uproar over Behzti and issues of censorship, a critical interrogation of several dramatists and autobiographical essays by theatremakers.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Framing Feminism
An introduction to the major events and debated in the early years of feminist art practice. An extensive collection of articles, as well as broadsheets printed in facsimile, illustrate the history and diversity of arguably the most important intervention in modern art.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
