Catalogue > By Keyword > race
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Re-staging Revolutions Alternative Theatre in Lambeth and Camden 1968-88
This publication tries to reproduce an exhibition that tried to give the summation of a rich and diverse movement
James Luna: Emendatio
Corresponds with 2005 exhibition in Venice and New York
Radical Presence: Black Performance in Contemporary Art
Publication to coincide with 2013 Exhibition in Houston, US.
Intense Dreams: Reflections on Brazilian culture and performance
Documenting a research project which began in 1991.
James Luna: Emendatio
Printed in conjunction with 2005 exhibition in Venice and New York
A Contemporary Struggle
*currently unavailable*
a collection of texts and images that respond to the dance duet O
Part of the Library of Performing Rights (LPR) (P3041).
Clifford Owens: Anthology
Publication to coincide with exhibition, 2011, where Owens commissioned performance scores—written or graphical instructions for actions— from a multigenerational group of African-American artists.
Staging Black Feminisms: Identity, Politics, Performance
Staging Black Feminisms sets out to challenge perceptions of black women’s theatre work as inherently feminist. Drawing on black feminist theories of identity and theories of black and feminist performance form, it analyses key themes such as migration, motherhood, sexuality, mixed race identity and interracial relationships in a range of late-twentieth and early twenty-first century black British women’s plays and performances.
Where is Ana Mendieta? Identity, Performativity, and Exile
Taken from banners carried in a 1992 protest outside the Guggenheim Museum, the title phrase 'Where is Ana Mendieta?' evokes not only the suspicious and tragic circumstances surrounding her death but also the conspicuous absence of women artists from high-profile exhibitions. Drawing on the work of such theorists as Judith Butler, Joseph Roach, Edward Said, and Homi Bhabha, Jane Blocker discusses the power of Mendieta's earth-and-body art to alter, unsettle, and broaden terms of identity itself.
Planes of Composition: Dance, Theory and the Global
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
