Catalogue > By Keyword > Rachel Rosenthal
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The Stage Lives of Animals
Examines what it might mean to make theatre beyond the human.
Ecologies of Theater: Essays at the Century Turning
Elaborates a new perspective on performance that links ecology and aesthetics.
Animal Acts: Performing Species Today
Collects some of the most exciting, provocative, and moving solo performances on animals, grounded by commentaries that help put these engaging works in a larger context.
Theatre and Animals
This text addresses demonstrates ways in which animals transform theatre’s capacity to make meaning, and suggests they expose theatre’s negotiations with wider ethical, social and economic questions.
Goat Island featured in The Drama Review
An extensive series on Lin Hixson and Goat Island.
The Amazing Decade: Women and Performance Art in America, 1970-1980
A detailed study of the role women artists played in the develpment and expansion of performance art
Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
The Reenchantment of Art
Confronts the effects of modernism on society and proposes a remedy based on a redefinition of our art and culture.
Shattered Anatomies: Traces of the Body in Performance
A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
The Citizen Artist: 20 Years of Art in the Public Arena
An anthology from High Performance Magazine 1978 – 1998.
