Catalogue > By Keyword > Rebecca Schneider
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Points of Convergence - Alternative Views on Performance
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Acting Out: Feminist Performances
The first book-length introduction to and critical analysis of contemporary feminist performance, from Madonna to Karen Finley to Cherrie Moraga.
Part of the Library of Performing Rights (LPR) (P3041).
Repetition in Performance: Returns and Invisible Forces
While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Performance and the City
Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.
Curating Performing Arts
Frakcija no 55 explores the work of the curator.
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
The Live Art Almanac Vol 1
A collection of writing about and around Live Art. See also, The Live Art Almanac vol. 2, catalogue ref. P1696. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Encounters
This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
A Performance Cosmology - Testimony for the Future, Evidence of the Past
Explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
After Criticism: New Responses to Art and Performance
Explores contemporary approaches which have sought to renew criticism’s energies in the wake of a ‘theatrical turn’ in recent visual arts practice, and the emergence of a ‘performative’ arts writing over the past decade or so.
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)