Catalogue > By Keyword > representation
110 results | Page 9 of 11
One Day Symposium: Being Seen Being Heard (Part 2)
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
How to See a Work of Art in Total Darkness
Examines the integrative and interdisciplinary strategies of five contemporary artists stressing the ways in which their work at once reflects and alters our view of its informing context: the advent of postmodernity in late twentieth-century American art and culture.
Be Here Now
Adam E Mendelsohn article discussing the retrieval of history through re-enactment.
Body Art / Performing The Subject
This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Fireball—Alternative Miss World 1995
Unmarked, the politics of performance
An analysis of the fraught relation between political and representational visibility in contemporary culture.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
The Renaming Machine: The Book
Featuring Suzana Milevska, Ivana Bago, Antonia Majaca, Ivana Bago, Antonia Majaca, Magnus Bärtås Zdenko Bu ek Liljana Gjuzelova Igor Grubi Dejan Habicht/Tanja La eti Kalle Hamm Albert Heta Sasha Huber IRWIN Hristina Ivanoska Sanja Ivekovi Suzana Milevska MONUMENT Group Oliver Musovi Tanja Ostoji /David Rych Dan Perjovschi Lia Perjovschi Tadej Poga ar Georg Schöllhammer Dejan Spasovi Sa o Stanojkovi Mladen Stilinovi , Alexander Vaindorf, Aneta Vangeli
Art Beyond Representation: The Performative Power of the Image
Argues for a performative relationship between art and artist.
Talking Heads Screening Programme
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Comedy, Tragedy, and “Universal Structures”:
On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.
