Catalogue > By Keyword > resistance
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Performance in Place of War
The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documenta 14 #1
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Assemblage: An Art Series on Identity, Memory, and Displacement
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Cassils
Artist book on the performance artist and body builder who uses their own body in a sculptural fashion, thereby interrogating feminism, body art, and gay male aesthetics.
Performances of Capitalism, Crises and Resistance: Inside/Outside Europe
This engaging study examines the issue of crisis in European performance since the collapse of global financial markets in 2008. The book’s chapters examine diverse performances of crisis primarily in three cities with a loaded past and present for Europe, as idea and geopolitical reality: London, Athens and Berlin.
PSI#12 documentation
Short and long trailer for Performing Rights, a festival of creative dialogues between artists, academics, activists, and audiences investigating relationships between human rights and performance.
So Much Wasted: Hunger, Performance, and the Morbidity of Resistance
Anderson analyzes self-starvation as a significant mode of staging political arguments across the institutional domains of the clinic, the gallery, and the prison.
Embodied Avatars: Genealogies of Black Feminist Art and Performance
Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.
Revolutionary Time and the Avant Garde
The first book of its kind to look at the legacy of the avant-garde in relation to the deepening crisis of capitalist non-reproduction.
Contemporary Theatre Review: Theatre, Performance and Activism - Gestures towards an Equitable World
Special Issue; Volume 25, Issue 3.
