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Catalogue > By Keyword > Richard Foreman

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Performance by Artists

Editor: A.A. Bronson, Peggy Gale | Reference: P3461 | ISBN: 0920956009 | Type: Publication

A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.

Trans-global readings: Crossing theatrical boundaries

Editor: Caridad Svich | Reference: P2468 | ISBN: 978-0719063251 | Type: Publication

Gathers the voices of unique artists from the worlds of theatre, music and performance to discuss process and the making of interdisciplinary work. Contributors: Tim Etchells, Rinde Eckert, Richard Foreman, Peter Gabriel, David Greig, Guillermo Gomez-Pena, Phelim McDermott, Peter Sellars

American Avant-Garde Theatre: A History

Artist/Author: Arnold Aronson | Reference: P2345 | ISBN: 9780415241397 | Type: Publication

Discussion of American avant-garde theatre.

Sacred Symposium

Artist/Author: a.a.s (aasgroup.net) Johanna Linsley | Reference: D1540 | Type: DVD

How might performance engage us in thinking and feeling our relationship to money, magic, pretending, imagination: what is it we are looking for in the make-believe world we live in?

Sacred Symposium: A Make Believe World

Artist/Author: Aoife Monks, Sophie Nield | Reference: D1524 | Type: DVD

Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes

Shattered Anatomies: Traces of the Body in Performance

Editor: Adrian Heathfield with Fiona Templeton and Andrew Quick | Reference: P0199 | Type: Publication

A limited edition box containing artefacts, documents and critical theory from an international field of performance artists, theatre makers and writers. Shelved in Oversize publications section. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

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