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The Aesthetics of Risk
This anthology of essays, images and dialogues exploring contemporary art’s engagements with risk–physical, social, political and aesthetic–brings readers into the conference from which the book takes its title, a third annual collaboration between the Getty Research Institute and the Southern California Consortium of Art Schools (SoCCAS).
Art for Whose Sake
A set of essays on Live Art exploring the learning possibilities and partnership opportunities for artists and schools.
Exchange: Artists, Young People
The articles in this issue ask questions such as; what do artists have to offer young people in projects brokered by galleries or other art organisations? Which artists choose this sort of work, and how does it relate to the rest of their practice? What kind of meditation is required in different contexts?
Cyborgs in Mutation
Review of the California-based company.
Struggling to Perform
On radical amateurism and Forced Entertainment.
Art for All? Their Policies and Our Culture
A large format and graphically bold publication that goes to the very heart of contemporary debate about the responsibility and function of the arts and of artists in society today.
Platform Study Room Guide (P1820). This item is referenced in the Dreams for an Institution Guide (P2313) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
Part of the Library of Performing Rights (LPR) (P3041).
Andy Kaufman: Wrestling with the American Dream
Critical text on the life and work of Andy Kaufman.
Lost in the Funhouse: The Life and Mind of Andy Kaufman
Critical text on Andy Kaufman, includes photographs.
Andre Breton’s surrealist act of firing blindly into the crowd would certainly lead to a conviction
Specialist lawyer Jakob Braeuer in conversation with Tea Tupajic, Joanna Warsza.