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Chinese Performing Arts Yearbook 2015

Reference: P3187 | Type: Publication

Comprehensive overview of China's performance art in 2015. Includes essays, five case studies and information on over 100 artists. In Mandarin.

Acting Together Volume I: Resistance and Reconciliation in Regions of Violence

Editor: Cynthia E. Cohen, Roberto Gutiérrez Varea, Polly O. Walker | Reference: P3116 | ISBN: 978-0981559391 | Type: Publication

A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Joss Carter documentation

Reference: P3052 | Type: Publication

Includes: Salavation poster and flyer, a production package, and a usb with video and photo documentation.

Performance Lab: Ron Athey at Stanford University

Artist/Author: Lisa Newman | Reference: A0687 | Type: Article

Review of Athey’s Messianic Remains at the Performance studies International symposium.

Anna Birch archive

Reference: P2992 | Type: Publication

Includes The Wollstonecraft Live Experience! programmes and materials, two programmes for the Stoke Newington Literary Festival, and a list of publications.

Performance and the City

Editor: Kim Solga, Shelley Orr, D. J. Hopkins | Reference: P2954 | ISBN: 978-0230300491 | Type: Publication

Now in paperback and with a new preface by Susan Bennett, the book explores an interdisciplinary range of topics, including: theatre and urban policy development; architecture, trauma, and memory; urban performance history; site-specific performance and urban politics; sexuality and nationality in urban performance; and environmental performance theory.

Marina Abramovic: the House with the Ocean View

Editor: Amy Gotzler | Reference: P2904 | ISBN: 978-8881584369 | Type: Publication

For 12 days in November 2002, Marina Abramovic lived on three open platforms in the Sean Kelly Gallery in New York. She did not eat or speak, nor did have any privacy: the rooms were open and spectators were even invited to observe the artist through a high-powered telescope. This volume presents documentation of The House With the Ocean View alongside essays by the artist, her gallerist Sean Kelly, art historian Thomas McEvilley, curator Chrissie Iles, Cindy Carr, RoseLee Goldberg and Peggy Phelan.

Immersive Theatres: Intimacy and Immediacy in Contemporary Performance

Artist/Author: Josephine Machon | Reference: P2866 | ISBN: 978-1137019837 | Type: Publication

Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.

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