Cherotic Magic is a major attempt to introduce a powerful system of magic into our modern western everyday life, thereby explosively expanding such concepts as sex and human relationships. The clear, down-to-earth text is amplified by the non-linear trance illustrations by LaBash.

This dialogue between the two artists includes a discussion around the issues and concerns of contemporary Performance Art as well as an in-depth focus on the work of Ron Athey, past and present, with additional notes by Lisa Newman.

This exhibition booklet looks closely at the performative aspects of the action work by Vienna Actionists Günter Brus, Hermann Nitsch, Otto Muehl, and Rudolf Schwarzkogler contrasted with works by significant international practitioners of performance art, such as Marina Abramovic, Chris Burden, Tomislav Gotovac, Ion Grigorescu, Paul McCarthy, Ana Mendieta, Bruce Nauman, Yoko Ono, Gina Pane, Neša Paripovic, Ewa Partum, Carolee Schneemann, and VALIE EXPORT.

Ron Athey contributes to the fourth installment of the Walker Art Center Artist Op-Eds series. Examining the thinking of artists as citizens and change-makers, this series of commissioned opinion pieces features provocative reactions to the headlines.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.

The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen laboratory” experiments, food sculptures and other documentation of the transient moments that make up this field of experimentation’, as well as a study of the connections between dining, theatre and ritual, and a survey of recent research in science and technology, and how this may impact on how we make, eat and perceive food.

This small publication documents the three commissions for The Bed Race Project curated by Amelia Beavis-Harrison with texts and images from each of the artists. Includes a short essay by Anneka French.

Collage of printed images on book by the DIY 11 workshop participants with the artist.

Performance leaflet with images.