Marks the finissage of Abboud’s solo exhibition The Horse, the Bird, the Tree and the Stone at Bildmuseet (Sweden, 21 May – 17 September 2017) and the inauguration of her solo show The pomegranate and the sleeping ghoul at Darat al Funun-The Khalid Shoman Foundation (Jordan, 10 October 2017 – 11 January 2018).

Curated by LADA for Something Human's Cross-Cultural Live Art Project 2014 (CCLAP), this programme draws on resources housed in LADA’s Study Room and materials acquired for it’s current Restock Rethink Reflect research project on Live Art and Feminism. Featured artists will include Áine Phillips, Monica Ross, Anne Bean, Kira O’Reilly, Noëmi Lakmaier and La Ribot.

A compilaton of the Swiss duo’s extensive performance documentation. A large selection of photographs offers an overview of their live performative events. In German and English.

For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

Feature-length documentary film following Marina Abramovic as she prepares for a major retrospective of her work, taking place at the Museum of Modern Art in New York.

For over 20 years Marina Abramović has collected materials from film, dance, theatre, music, rituals and performance. For her lecture at Live Culture she wound through a personal visual archive of performance related materials focused around the performing body, its mental and physical limits.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.

On ritual and drama.