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Catalogue > By Keyword > Roberta Mock

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Joshua Sofaer: Performance | Objects | Participation
Editor: Roberta Mock & Mary Paterson | Reference: P4103 | ISBN: 9781789380910 | Type: Publication

Analyses the artist’s oeuvre in the contexts of liveness, visual art and participatory practices.

audiences Carl Lavery collaboration Daniel Somerville documentary fine art gallery Home Hugo Glendinning Joanna Sofaer Konstantina Georgelou Lois Keidan Maddy Costa Mary Paterson Nadia Abdelaziz opera participation performance politics public space relational Roberta Mock Robin Deacon Sarah Harvey Sibylle Peters Simon Gould site specific Stacy Makishi Stuart Andrews Yu-Chin Hsiao Yu-Ying Kung Yuan-Liang An

Eroticism and Death in Theatre and Performance
Editor: Karoline Gritzner | Reference: P2426 | ISBN: 9781902806921 | Type: Publication

Exploring a range of topics, including Greek tragedy, Shakespearean theater, contemporary British plays, opera, and the theatricality of Parisian culture, this compilation provides new perspectives on the relationship between Eros and Death in a series of dramatic texts, theatrical practices, and cultural performances

Adrian Howells bodies body art David Ian Rabey David Pattie David Rudkin death desire Dic Edwards Dieter Borchmeyer eroticism George Hunka Graham Saunders Howard Baker Karoline Gritzner La Fura dels Baus love Michael Mangan Nick Cave one-to-one performance performance art Rachel Zerihan Richard J. Hand Robert Wilcher Roberta Mock Ron Athey sex sexuality taboo the uncanny theatre trauma visceral

The Live Art Almanac: Volume 3
Editor: Lois Keidan, Aaron Wright | Reference: P2250 | ISBN: 9781849433969 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

activism Aine Phillips Alexis Petridis Andrew Haydon Andy Field Andy Horwitz Barrak Alzaid Barry Laing Ben Walters Beyonce Brandon Woolf Brian Lobel camp Carrie MclLwain Cat Harrison Catherine Spencer Charlotte Raven Claire Bishop Claudia La Rocco Clifford Owens club Cristiane Bouger criticalnetwork criticism Dana Goodyear Daniel B. Yates Daniel McClean Deborah Pearson Diana Damian Dina Ibrahim Dominic Johnson Eddy Dreadnought Emily James Emma Geliot Esther Baker-Tarpaga Fabiane Borges Flora Pitrolo Gabriela Salgado Genesis P-Orridge Gob Squad Guillermo Gómez-Peña Hari Kunzru Helen Cole Henry Langston Henry Lydiate history Ian Milliss intervention interview James Westcott Jane Trowell Joanna Brown Joe E. Jeffreys John Jordan John Maus Johnathan Waring Judith Mackrell Kristin M. Jones Lady Gaga Larissa Ferreira Liberate Tate Liz Kotz Lois Jeary Lucy Neal Luke Jennings Maddy Costa Malcolm Whittaker Manick Govinda Marcia Farquhar Marina Abramović Mark Harvey Marta Jecu Mary Paterson Matt Fenton Matt Trueman Natasha Degen Natasha Vicars Oliver Basciano Ontroerend Goed Owen Parry Paul Levinson performance art performance festival politics pop music Pushpamala N Roberta Mock Roger Ely Rose Fenton Rubiane Maia Ruth Holdsworth Ruth Maclennan Sally Labern Sara Panamby Rosa da Silva Sean O'Hagan Stephen Squibb Steven L. Bridges Stuart Tait Tamarin Norwood Tania El Khoury theory Theron Schmidt Tiffany Charrington trash Verenilde Santos Victoria Gray Yoko Ono You Me Bum Bum Train

Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity
Artist/Author: Various | Editor: Susan Broadhurst, Josephine Machon | Reference: P2088 | Type: Publication

*currently unavailable*

Investigates the implications of technology on identity in embodied performance.

access Andrew Bucksbarg avatar Carissa Hope Lynch Charlie Gere choreography Curious digital music digital performance disability disclosure eudaimonia experiential Franziska Schroeder Ghislaine Boddington Graeae Helen Paris Hellen Sky identity improvisation Jenny Sealey Josephine Machon Kelly Preece Leslie Hill Lynn Hershman Marisa Carnesky new media Olu Taiwo Paul Woodward perceptual performance art Pina Bausch Roberta Mock Selene Carter Sita Popat social Susan Broadhurst technology virtual

Performance Paper – The Pigs of Today are the Hams of Tomorrow
Editor: Helen Pritchard, Caroline Mawdsley | Reference: P2059 | Type: Publication

Publication accompanying the homonymous symposium: a collaboration between Plymouth Arts Centre and artist Marina Abramovic to produce a performance event that explored the history and future of the artist’s work. Newspaper-style publication in large folder.

Adrian Heathfield Alastair MacLennan André Stitt Andrew Mitchelson documentation Dominic Johnson Geoff Cox Hans Ulrich Obrist Hayley Newman Helen Cole Helen Pritchard Jovana Stokic Kira O'Reilly Lee Miller legacy lineage Lois Weaver Maria Balshaw Marina Abramović memory Nick Kaye Paul Clarke Paula Orrell performance art performance history preservation reenactment Roberta Mock Ron Athey Tehching Hsieh

Dancing with Men
Artist/Author: Oreet Ashery | Reference: P1260 | ISBN: 978-0-9546040-9-7 | Type: Publication

This item is part of the Study Room Guide on One to One Performance by Rachel Zerihan (P1320) and the Study Room Guide On Social Engagement and Participation by FrenchMottershead (P1290)

Dominic Johnson ego ethnicity Gavin Butt gender identity Jewish Marcus Fisher politics race religion Roberta Mock Stephen Wilson

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