Catalogue > By Keyword > Ron Athey
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The More You Ignore Me The Closer You Get: A Study Room Guide on socially engaged practice
Addresses socially and politically engaged performances that seek to question and transform the institutions of power.
HALLELUJAH! Ron Athey: A Story of Deliverance
Directed by Catherine Saalfield Gund Hallelujah! presents Athey's life and work, spending time with him on and off the stage. An HIV-positive gay man, Athey practices sadomasochistic ritual as a personal religion, using it as a means of transcendence.
Blinded By Love
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on One to One Performance by Rachel Zerihan (P1320)
Ron Athey
Find article in misc. folder 1. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Dr Roberts Magic Bus
Holy Body: Erotic Ethics in Ron Athey and Juliana Snapper’s Judas Cradle
Find article in misc. folder 1. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
The Performance of Pain
Live: Art and Performance
Leading artists and thinkers assess the relevance of live art now, its impact within the visual arts and the broader cultural sphere.
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Body? Object? Photography?
Collection of photographs.
Study Room Guide / LADA Anthology: Ouch, on audiences and pain
Small selection of work concerning Audiences and Pain: audiences inflicting or being complicit in artists’ pain, audiences bearing witness to painful or unbearable actions and ideas, or audiences being subjected to pain and discomfort themselves.
LADA Anthology: Ouch, on audiences and pain