Catalogue > By Keyword > Rose English
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Of Other Spaces - Where Does Gesture Become Event?
Resonating with the ethos of open dialogue and the experimentation of women artists’ collectives in the 1970s and 1980s, the publication constructs a dynamic, open, and collaborative arena that foregrounds practices of resistance, collectivity, and self-organization. Exhibition catalogue: Cooper Gallery, 28 October 2016 – 16 December 2016.
Part of Library of Performing Rights (P3041).
Choreographies: Tracing the Materials of an Ephemeral Art Form
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
Glimpses of Before 1970s Performance Art in the UK - Images
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Review of ‘Mounting’
From New Dance.
Found in miscellaneous article folder #5B
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
The Gold Diggers
The Gold Diggers is a key film of early 1980s feminist cinema. Two heroines begin to unravel the truth about the search for gold and the secrets of personal transformation and freedom
Performance Matters Archive
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
Renegotiating the Body: Feminist Art in 1970s London
Primarily concerned with the feminist body as a site for making and exhibiting works, this book examines themes that look at the body as material, the body and performance, as well as the alternative creative platforms in 1970s feminist art. Drawing on original material – never-before-seen images from artists’ personal collections and commissioned interviews with prominent artists from the period – the book is an invaluable resource for artists, researchers, curators and students interested in recovering this period from the margins of art history.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Alice In Wonderland
Neil Bartlett co-deviser and performer with Complicite, Rose English, Emma Thompson, Annie Griffin. Albany Empire, London, 1988.Part of the Neil Bartlett Collection. Donated to the British Library and the Live Art Development Agency Study Room from Neil Bartlett’s personal collection.
Head to Head: Artists Inspiring Artists, Artists’ Resource
Part of Brighton and Hove Arts Commission’s Making a Difference Initiative. A series of seminars and workshops for professional artists and performers.
Magic Moments
Total Theatre article.
