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Catalogue > By Keyword > Rose Fenton

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The Live Art Almanac: Volume 3

Editor: Lois Keidan, Aaron Wright | Reference: P2250 | ISBN: 9781849433969 | Type: Publication

A collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2010 and December 2011

Programme Notes: Case studies for locating experimental theatre, second edition

Editor: Lois Keidan, CJ Mitchell | Reference: P2120 | ISBN: 978-1-84943-459-1 | Type: Publication

Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.

Programme Notes: Case studies for locating experimental theatre

Artist/Author: Various | Editor: Lois Keidan and Daniel Brine | Reference: P1169 | ISBN: 978-0954604040 | Type: Publication

A collection of case studies, interviews and essays which explores the ways in which contemporary theatre is changing through new relationship between mainstream venues and experimental practices. 108 pages, 16 black and white photographs, 12cm x 16.5cm. This item is referenced in the Dreams for an Institution Guide (P2313).

SPILL Symposium - Sessions 5 & 6

Artist/Author: Tilman Broszat, Angharad Wynne-Jones, Rose Fenton, Phelim McDertmott | Reference: D0737 | Type: DVD

What kind of models exist, or might exist, that can respond to the kind of touring work that changes and evolves as it moves from location to location, context to context, and constituency to constituency. Creating equitable and reciprocal dialogues, networks and resources amongst artists and producers, and exploring the responsibilities of artists and producers to the contexts they are working within.

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