Catalogue > By Keyword > Sarah Kane
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The Bodies That Remain
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
Performing Bodies in Pain: Medieval and Post-Modern Martyrs, Mystics, and Artists
Analyzes the cultural work of spectacular suffering in late-medieval France and the twenty-first century, reading recent dramatizations of torture and performances of self-mutilating conceptual art against late-medieval saint plays.
Part of the Library of Performing Rights (P3041)
British theatre: bruising and beloved
A review of In-Yer-Face: British Drama Today by Aleks Sierz
Theatre and Violence
Critically engaging with examples of stage combat, rape, terrorism, wrestling and historical re-enactments, Nevitt argues that studying violence through theatre can be part of a desire to create a more peaceful world.
Theatre and Therapy
Walsh argues that there are many links between theatre and therapy when considering actor training, theatre in therapeutic contexts, and contemporary theatre and performance.
Trauma-Tragedy: Symptoms of Contemporary Performance
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.