Catalogue > By Keyword > Scotland
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&labels
A special edition of the Cooper Gallery periodical: a complexity of perspectives and positions by artists, curators and writers are brought together reflecting on and interrogating the necessarily shifting nature of identity and its other.
Revolting Prostitutes: The Fight for Sex Workers’ Rights
Do you have to think that prostitution is good to support sex worker rights? How do sex worker rights fit with feminist and anti-capitalist politics? Is criminalising clients progressive – and can the police deliver justice?
The Town is the Venue
Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.
69 Things To Do With A Dead Princess
This is where the novel has a nervous breakdown. Anna Noon is a twenty-year-old student with a taste for perverse sex involving an enigmatic older man and a ventriloquist's dummy.
March
Documents the large scale, public art event March of Women spilling out onto the streets of Bridgeton on the eve of International Women’s Day 2015.
Glasgow’s Review of International Performance
Reflects, through a celebratory and playful lens, on the seminal moments of contemporary international performance that have visited the city from the late 1980s until 2016, a year from when the Arches closed.
new territories programme
Programme for the international festival of live arts, incorporating the National Review of Live Art (NRLA); 3/2-15/3 2003. Includes Adrian Heathfield on Goat Island, Lois Keidan on live art platforms and Marianne van Kerkhoven on Raimund Hoghe.
Two Destination Language
Information about the company's work, including Near Gone, Landed, Manpower, A Journey of a Home, and Storyville.
Paul Bright’s Confessions of a Justified Sinner
In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.
Lament
Richard Ashrowan considers the geopoetics of the Anglo/Scots borderline, travelling to several points on the border and beginning a meditation into the meanings that might be revealed within its landscape
