Catalogue > By Keyword > self
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An Introduction to the Phenomenology of Performance Art : SELF/s
Applying a queer phenomenology to unpack the importance of a multiplicity of Self/s, the book guides readers to be academically rigorous when capturing embodied experiences, featuring exercises to activate their practices and clear introductory definitions to key phenomenological terms. Includes interviews and insights from some of the best examples of transgressive performance art practice of this century help to help unpack the application of phenomenology as Bacon calls for a queer reimagining of Heidegger’s ‘The Origin of the Work of Art.’
Posthuman Spiritualities in Contemporary Performance: Politics, Ecologies and Perceptions
Examines five performance/artworks: The Artist is Present (2010) by Marina Abramović; The Deer Shelter Skyscape (2007) by James Turrell; CAT (1998) by Ansuman Biswas; Journey to the Lower World by Marcus Coates (2004); and the work with pollen by Wolfgang Laib.
The Aesthetics of Disengagement: Contemporary Art and Depression
Shows how contemporary art is a powerful yet largely unacknowledged player in the articulation of depression in Western culture, both adopting and challenging scientific definitions of the condition. Ross explores the ways in which contemporary art performs the detached aesthetics of depression, exposing the viewer's loss of connection and ultimately redefining the function of the image.
Mesearch and the Performing Body
An anthology of Edward’s creative practice-led projects. Through the innovative practice of ‘mesearch’, in which the author is both theoriser and theorised, this study delivers a personal, creative narration, combining reflections and emotions in relation to self and performance.
Concerning Consequences: Studies in Art, Destruction, and Trauma
From war and environmental pollution to racism and sexual assault, the publication analyzes the consequences of trauma as seen in the works of artists like Marina Abramović, Pope.L, and Chris Burden.
Encounters in Performance Philosophy
A collection of 14 essays by international scholars and practitioners from across the disciplines of Philosophy, Literature and Theatre and Performance Studies, addressing the nature of the relationship between philosophy and performance.
Across the Art/Life Divide: Performance, Subjectivity, and Social Practice in Contemporary Art
Explores the ways in which contemporary artists across media continue to reinvent art that straddles both public and private spheres.
From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
The Uses Of Autobiography
The contributors to this book, writing from a variety of subject disciplines and interests, explore a range of the uses of autobiography from the nineteenth-century to the present day, and from Africa, USA, the Middle East, France, New Zealand, as well as Britain.
An autobiography of hands: how to train in sleight of hand magic
First-person account of an intensive process of training in sleight of hand magic, undertaken by Corrieri in his teenage years. Accompanied by a short online video, as well as illustrations from a classic book on coin magic, the text explores the configuration of the magician’s studio, the relation to the mirror, and the forms of exchange with other sleight of hand magicians.
