Catalogue > By Keyword > Serbia
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The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Queer Beograd Border Fuckers Cabaret: The Scripts, 2004–2011
This front line queer theatre tells first hand stories of how it is to be LGBT/Queer in Serbia and reveals the underlying issues of war, closed borders, neofascism and a country in the process of change.
In English and Serbian.
Part of Library of Performing Rights (P3041).
Gypsies and Dogs II - symptoms and traces of the public reception
A collection of polemical writings, assaults, comments and theoretical discussions and analysis that appeared in reaction to the eponymous video, made in Belgrade, in 2007.
In Serbian and English.
Part of the Library of Performing Rights (LPR) (P3041).
Critical effect & intensity of affect : analyses of art productions of Zoran Todorović
Exhibition catalogue: Intensity of Affect: performances, actions, installations – retrospective of Zoran Todorovic. Accompanies the project, Warmth, at the the 53rd Biennale di Venezia, held in Venice, at the Serbian Pavilion, June 7-Nov. 22, 2009.
In Serbian and English.
The Art of Truth-telling About Authoritarian Rule
The illustrated volume examines the creation of stories, accounts, images, songs, street theatre, paintings, and ideas that pay witness to authoritarian pasts.
Part of the Library of Performing Rights (LPR) (P3041).
Walk Through Walls: A Memoir
This memoir spans Abramovic's five decade career, and tells a life story that is almost as exhilarating and extraordinary as her groundbreaking performance art.
The Things We Leave Behind Zine
Zine of the research-based project, which uses objects left behind by those who are seeking a better life and/or have to move to survive. The objects were left behind on the Greek island of Lesvos and at a transition centre in Serbia and have been “borrowed” by people living in London, used to start conversations with young people, in installations and as part of performances.
Performance Art in Eastern Europe Since 1960
Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Refugee Performance: Practical Encounters
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Acting Together Volume I: Resistance and Reconciliation in Regions of Violence
A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.
Part of the Study Room Guide on Live Art and Displacement (P3107).
