Virus is an Italian arts magazine but this interview is printed in English.

Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.

Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.

Part of the Library of Performing Rights (LPR) (P3041).

Review of Lennie St. Luce’s ‘Big Black Momma’

Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.

‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.

Fresh AiR Platform is an opportunity for emerging artists to introduce their work to audiences, Katy Baird, I Don’t Remember Exactly When It Happened…, mentored by Oreet Ashery, Queen Mary University of London.

Review of Pina Bausch’s Kontakthof

Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.