Catalogue > By Keyword > sexuality
407 results | Page 30 of 41
Ron Athey interview
Virus is an Italian arts magazine but this interview is printed in English.
Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art
Charts the history of this American culture war through detailed analysis of the work of artists who fought on the front lines, often finding themselves personally vilified.
The Routledge Reader in Gender and Performance
Reviews ways in which sexuality has been explored and expressed in new forms of performance art and dance, women’s contributions to theatre history, and how theatre has represented women over the centuries.
Part of the Library of Performing Rights (LPR) (P3041).
Lennie St. Luce
Review of Lennie St. Luce’s ‘Big Black Momma’
Talking Heads Screening Programme
Curated by the Live Art Development Agency for Liveworks, at Performance Space Sydney 10 – 14 November 2010.
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
I Don’t Remember Exactly When It Happened… (Fresh AiR Platform performance)
Fresh AiR Platform is an opportunity for emerging artists to introduce their work to audiences, Katy Baird, I Don’t Remember Exactly When It Happened…, mentored by Oreet Ashery, Queen Mary University of London.
Kontakthof - A Conversation
Review of Pina Bausch’s Kontakthof
Jack Smith’s Rehearsals for the Destruction of Atlantis: ‘Exotic’ Ritual and Apocalyptic Tone
Engaging a series of critical models, this article examines the place of the ‘exotic’ in thinking about sexual and racial difference, as a means of thinking difficult or volatile modes of cultural practice. As such, it stages a confrontation between ‘exotic ritual’ and ‘apocalyptic tone’, to challenge conventions about scholarly practice and find new ways of examining uncomfortable spaces and modes of working.
