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Performance in an Age of Precarity
An anthology of critical essays that draw on a decade of the authors thinking, writing about and working within contemporary performance as critics, producers, dramaturgs, makers, archivists and more.
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation
Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?
Audience Participation in Theatre: Aesthetics of the Invitation
This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.
Performance Matters Archive
Boxset contains 40 DVDS documenting public events with contextualising texts. Shelved in Oversize section.
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Welcome to Cabaret
An article about cabaret: is it entertainment or performance art?