Catalogue > By Keyword > Silvia Ziranek
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Glimpses of Before 1970s Performance Art in the UK - Images
Images related to the Study Room Guide on Performance in the UK in the 1970 (P2947).
Contains separate folders for each artist + a word document with image credits.
Third Area: A Feminist Reading of Performance at London’s ICA in the 1970s
A PhD thesis offering a new account of the emergence of performance forms, including Happenings, participatory art, performance art and performances for the camera, in visual art and related contexts at the ICA.
It Starts From Here
An exhibition of proposals and new ideas in response to the De la Warr Pavilion
Do You Remember It - Or Weren’t You There?
Do you remember it – or weren’t you there? was an exhibition of work by artists and writers whose starting point was live performance. It was curated by Philip Lee and Cally Trench and presented at the London Gallery West, University of Westminster in 2013.
Renegotiating the Body: Feminist Art in 1970s London
Primarily concerned with the feminist body as a site for making and exhibiting works, this book examines themes that look at the body as material, the body and performance, as well as the alternative creative platforms in 1970s feminist art. Drawing on original material – never-before-seen images from artists’ personal collections and commissioned interviews with prominent artists from the period – the book is an invaluable resource for artists, researchers, curators and students interested in recovering this period from the margins of art history.
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
arttextiles3
Documentation from the third major survey of British artists working with textiles. Accompanying DVD REF D1007.
The Cat Show - Cardiff Art in Time 2007
Documents the unique & exhilarating performance art project Cardiff Art In Time, affectionately known as the CAT show.
Glimpses of before: 1970s UK Performance Art Study Room Guide
A guide to the groundbreaking yet frequently marginalised practices of artists working in performance art in the UK in the 1070s.
