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Catalogue > By Keyword > Silviu Purcărete

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The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Contemporary European Theatre Directors
Editor: Maria M. Delgado and Dan Rebellato | Reference: P2908 | ISBN: 978-0415462518 | Type: Publication

An overview of many of the key directors working in European theatre over the past fifty years, situated lucidly in its artistic, cultural and political context. The resulting study is a detailed guide to the generation of directors whose careers were forged and tempered in the changing Europe of the 1980s and 1990s.

acting Africa Alan Read Aleks Sierz Aleksandar Dundjerovic Ariane Mnouchkine audience Barcelona Belgium Berlin Bertolt Brecht Bosnian war Brian Singleton Britain Calixto Bieito capitalism Chekhov Christoph Marthaler cinema class classics collaborative critic criticism dance Daniel Mesguich David Barnett David Fancy Declan Donnellan devised theatre dramaturgy Eugène Ionesco Europe festivals France Frank Castorf gender politics Germany globalisation Henrik Ibsen individualism James Woodall Jan Lauwers Janelle Reinelt Jim Carmody Judith G. Miller Katie Mitchell Koltes Kristian Frédric Lev Dodin Lourdes Orozco Marthaler Marvin Carlson multimedia music narrative new writing Paris Patrice Chéreau Patrice Pavis Paul Allain Peter Boenisch Peter Lichtenfels Peter Sellars Piotr Borowski Poland realism rehearsals Rodrigo García Romeo Castellucci Russia Silviu Purcărete Simon McBurney Stephen Knapper theatre theatre design theatre text theatre training Thomas Ostermeier touring training violence visual arts William Shakespeare

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