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Catalogue > By Keyword > Simone Forti

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Native Strategies 2: Next Steps

Editor: Brian Getnick, Tanya Rubbak | Reference: P4068 | Type: Publication

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Native Strategies 2: Next Steps

Editor: Brian Getnick, Tanya Rubbak | Digital Reference: EF5349 | Type: Digital File

The second of 10 differently themed performance series and journals, aiming to invigorate and make globally visible Los Angeles’s performance art community. Looks at the people and agencies that make space for performance artists and dancers to meet, experiment, and dance together in LA.

Robert Whitman: Performances from the 1960s

Artist/Author: Robert Whitman | Reference: D2318 | ISBN: 0-9668010-4-0 | Type: DVD

Includes original footage of The American Moon (1960) and Flower (1963), a recent performance of Prune Flat (1965), and Ghost, Whitman’s recent theater work, as well as short documentaries about the works. 

Performance in Contemporary Art

Artist/Author: Catherine Wood | Reference: P3651 | ISBN: 978-1-84976-311-0 | Type: Publication

Proposes that performance is not a genre of art separate from object making but rather an attitude that has infiltrated the entire terrain of contemporary art.

Heart Beat Ear Drum: A Film About Z’EV

Artist/Author: Ellen Zweig | Reference: D2229 | Type: DVD

A portrait of the artist and musician Z'EV, known for his punk era scrap metal music – how his music changed and grew and how his personal journey led him to the margins of art and the depths of heart.

Move. Choreographing You: Art and Dance Since the 1960s

Artist/Author: Susan Leigh Foster, Andre Lepecki, Peggy Phelan | Editor: Stephanie Rosenthal | Reference: P1735 | ISBN: 978-1-85332-282-2 | Type: Publication

Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.

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