Series of postcards as part of the UPRISING project and its accompanying documentation, EVIDENCE. From January 2008 to December 2008, Nicole Garneau embarked on twelve monthly performances broadly exploring the practice of revolution – UPRISING,. Performances were directed by Nicole Garneau and co-created by Nicole and performers. Events had the purpose of being live, public, temporal, and participatory stagings of possibilities for a humane world, and were marked by a commitment to flexible structure and sense of humor.Site specific, activism.

Compendium of notes on the construction and diffusion of several danced performances – The X-Event – dealing with expenditure of energy taken to its limits and the tensions between site specificity and history of use. For video documentation see REF. D1033/4/5.

Review of the Liverpool Biennial.

Three-part project made in response to the particular quality of natural light in Brighton. It consists of a performance and installation commissioned by the Brighton Festival, in addition to this publication.

Shelved in Oversize publications section.

Documentation of four performance interventions at various sites in London

Part of an ongoing series of a-n Collections. Find article in misc. folder 2

Dance, Performance, The X-Event , expenditure of energy, site specific,For notes on the construction and diffusion of these performances see REF. P1173.

Includes: X-Event 1,Festival Faits d’Hiver, Paris, Théâtre l’ Echangeur, 12-13/01/2005; X-Event 2 (Vernissage), Centre d’Art Contemporain de Brétigny 5 February 2005; X-Event 2, Centre d’Art Contemporain de Brétigny, 8-12 February 2005; and an interview with the choreographers. For notes on the construction and diffusion of these performances see REF. P1173.