Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.

The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.

In 1987, Paul Bright, a rebellious young Scottish director set out to stage James Hogg’s cult novel Confessions of a Justified Sinner in a series of radical productions across Scotland. In 2010, Untitled Projects began work with the actor George Anton to assemble an archive and exhibition of this almost-forgotten feat of theatre.

This companion book to the exhibition of the same name investigates California’s vital contributions to Conceptual art—in particular, work that emerged in the late 1960s among scattered groups of young artists.

This catalogue explores different artistic strategies, notions and formats for developing performances in public space, using specific sites in Berlin as platforms to “embody” the city. Featured authors/artists: Bettina Wagner, Dovrat Meron, Grasiele Sousa & Lucio Agra, Michaela Muchina, Nathalie Fari, Paula Hildebrandt 

In this article, the author contends that politically themed one-on-one performances provide value because their budgets do not fit into a comfortable capitalist model of exchange. To be found in Miscellaneous Articles Folder #4.

Research booklet for a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also see video documentation ref EF5156.

Trailer of a collaborative project initiated by live artist Tania El Khoury and researcher and architect Abir Saksouk. “Nothing To Declare” was the group’s first lecture performance and was developed during a residency at Watermill Studios in the United States in April 2013. Also find the project's Research Booklet as P2662.

Clip of a site-specific installation, video, and performance-based project. In a private performance for the camera, a quintet of women will tear apart an enormous cube comprising more than5,050 pounds of wet clay. As the block disappears, the space will be covered in the evidence of action.

A disparate collection of ‘chance’ materials and objects assembled and curated via post by the participants with the artist Anne Bean. Part of the DIY 11 collaborative project using chance device as a means for intuition and creation. Loose materials in large black folder.