Catalogue > By Keyword > Slovenia
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City of Women 2013 programme
Includes the programme for City of Women festival (2-13/10/2013) and Red Dawns (12-26/10/2013).
In Slovene and English.
Walking Failure; What Tammy Found Out … About Being Femme
Video recordings of two performances presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics. From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.
Mesto Zensk/City of Women – International Festival of Contemporary Arts
A collection of the festival catalogues from 1996 to 2006 in Slovenian and English.
Trashing Performance, Mainstream and Underground, Panel
Featuring Bean & Benjamin Sebastian of ]performance space[, Mara Vujic, Keith Khan & Lois Keidan (chair). Part of the Trashing Performance programme – the second year of Performance Matters – 25-29th October 2011.
Abracadabra
Documentation from the 17th International Festival of Contemporary Arts – City of Women.
Viva Verdi
A story about the artist trapped in the gap between a common comprehension of work and creativity. A performance about a performance that doesn’t exist.
Mesto Zensk, City of Women: International Festival of Contemporary Arts
Festivals took place in Ljubljana, 8-13 October 2001, and 2-10 October 2006. Text in both Slovenian and English. http://www.cityofwomen.org
Tearjerkers and Mindgames
On Emil Hrvatin’s theatre work.
Life [in Progress]
This book is the printed extension of Janez Jan a’s installation Life [in Progress]. Complete with photo cards and carry bag.Life [in Progress] is composed of written, photo, and video instructions. The spectators are the actors; walking past the instructions they create the performance according to their own rhythm, sensibility, belief and (non-) activity.
Shelved in Oversize publications section.
Contesting Performance: Global Sites of Research
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
