Catalogue > By Keyword > socially engaged
204 results | Page 10 of 21
Common
Through fact and fiction, questions and answers, writings from the heart and writing from the street, Common chronicles one day of a Self-Appointed-Artist-in-Residence in the City of London. Performances occur and reoccur as this book takes us to crashes in global markets, turbulence in the Euro-zone, riots on hot summer nights and the most extraordinary imaginings.
Artificial Hells: Participatory Art and the Politics of Spectatorship
The first historical and theoretical overview of socially engaged participatory art, known in the US as ‘social practice’. Follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic.
Phil Collins: The world won’t listen
Exhibition catalogue, Dallas Museum of Art
Great Lengths: Seven Works of Marathon Theater
Kalb weaves his impressive historical knowledge of theatre into detailed descriptions of marathon productions he has seen and studied.
The Free University of Liverpool /Foundations
A document of the Foundation degree and the various tactics that were dreamed up in order to make FUL work.
Conversation Pieces / community and communication in modern art
Grant Kester treats the relationship between art and democracy as pedagogical, performative, and ethical, he revives our understanding of the importance of civic engagement, solidarity, conversation, and public intervention.
Reactor 2006-2011
Documents the group’s work across this six-year period. In addition to many video edits that have not been seen before, each video has an alternative audio track featuring interviews by Mel Jordan, Ilana Mitchell, Daniel Oliver, Stuart Tait, Sally O’Reilly and John McGrath. In these interviews members of Reactor (past and present) discuss each project, or aspects of the groups practice that impacted on a project in a particular way.
Reactor 2006-2011
The Trivia of Eccentric England
Questions and Answers
Interview with the Los Angeles-based artist Suzanne Lacy.