Catalogue > By Keyword > socially engaged
204 results | Page 16 of 21
Can You See Me Now?
Talking Heads: Howard Matthew
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Talking Heads: Ernst Fischer
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Talking Heads: Duckie
‘Talking Heads’ are short presentations by artists to camera about their practice and approaches to making. The ‘Talking Heads’ films are part of the Agency’s ‘Documentation Bank’ Collection, which consists of an extensive range of artists’ ‘Talking Heads’ films, documentation of artists’ works and a selection of Agency projects: http://www.thisisliveart.co.uk/resources/collections/documentation-bank.
Interview with Shannon Jackson
Interview with Shannon Jackson, Christina Linden, Social Works: online article printed from www.artpractical.com
Exchange: Artists, Young People
The articles in this issue ask questions such as; what do artists have to offer young people in projects brokered by galleries or other art organisations? Which artists choose this sort of work, and how does it relate to the rest of their practice? What kind of meditation is required in different contexts?
Urban Interior: Informal explorations, interventions and occupations
Changing the Performance: A Companion Guide to Business and Civic Engagement
A book about the arts and about business, and the interplay between the two. Part of the Platform Study Room Guide (P1820).
The Emancipated Spectator
Asking exactly what we mean by political art or the politics of art, Rancière goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
Social Works: Performing Art, Supporting Publics
An interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art.
This item is referenced in the Dreams for an Institution Guide (P2313).
