Catalogue > By Keyword > socially engaged
204 results | Page 5 of 21
Performance Works 2008-2017
Includes: Foreign Sky, Beast of Me and Still Hear the Wound.
Catalogued with a spanned DVD.
Barbers of East London
A new publication celebrating the various communities of barbershops across East London. Comissioned by CUT Festival: The Art of Barbering.
Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich
Analysis of representation and interculturalism in Back to Back Theatre's production.
Confronting the Institution in Performance: Liberate Tate’s Hidden Figures
Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.
The Art Of Disobedience
An article dissecting how arts interfere and engage with politics.
In misc folder 7.
Early video works
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
A Place Free of Judgement
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
Forms of Action
Publication on the group exhibition exploring current international developments in socially engaged art practices. CAA, 28 January – 12 March 2017.
PRAXIS Vol 1: Of People, Place & Time
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Joined Forces: Audience Participation in Theatre
Four interviews and ten essays, case studies, manifestos and anti-manifestos by theatre makers, curators, critics, and scholars, presenting various examples of audience participation in theatre and linking them to problems of participation in democracy and to socially engaged art.
