Drawn from empirical and extensive experience and research, the book provides a curriculum and framework for thinking about the complexity of socially engaged practices. Locating the methodologies of this work in between disciplines, Helguera draws on histories of performance, pedagogy, sociology, ethnography, linguistics, community and public practices.

Part of the Study Room Guide on Live Art and class and cultural privilege. (P3152)

Published as part of the eponymous exhibition at the Barbican 14 July – 4 September. Surveys the Icelandic artist's practice from his student work to today.

This item can be found in the locked glass cabinet.

This fully illustrated publication documents Ross’s works from 1970 to 2013, including early feminist collaborative works, drawings made at the Greenham Common Women’s Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversary—an act of memory (2008–13), solo, collective, and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Ross’s death.

List of works from the exhibition at CHELSEA space (16/11-16/12 2016).

Over the course of seven weeks, the Stanley Picker Gallery in Kingston handed over its exhibition space to host a series of week-long Live Art residencies.

Includes documentation of individual weeks, plus a compilation video.

More info on the project.

Newspaper commissioned for (in)Xclusion festival 2012. The brief was to respond to issues of social exclusion through the framing of performance – images generated collaboratively over a 3 day workshop.

Documentation from the event which invites participants to talk openly about ideas of ‘social responsibility’ in regards to collaborative making and to collectively question the role of contemporary artists within opposing cultures of resilience, resistance and regeneration.

Published on the occasion of Brisley’s exhibition State of Denmark at Modern Art Oxford, September-November 2014.

Presents a combined analysis and workbook to examine “socially engaged performance.” It offers a range of key practical approaches, exercises, and principles for using performance to engage in a variety of social and artistic projects.

Social Movement of the Body: a series of laboratories in collaboration with Latin American universities.

Includes separate artist CV, portfolio and press clippings.

Short clips. 3:44