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Zong! (Wesleyan Poetry)
In November, 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert-the only extant public document related to the massacre of these African slaves-Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.
Whale Nation
Celebrates whales in verse and photographs, and in an anthology of prose writings from the worlds of science and literature.
Performing Motherhood: Artistic, Activist, and Everyday Enactments
Highlighting mothers’ lived experiences, this collection examines mothers’ creativity and agency as they perform in everyday life: in mothering, in activism, and in the arts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
Cecilia Vicuña
Catalogue of exhibition focused on Vicuña’s early paintings and the objects and book-works that she produced in London in the 1970s. With an introductory essay by Dawn Ades.
Nic Green’s Trilogy
Recorded at the Barbican, London, in January 2010, this triptych examines and interrogates the joys and complexities of being a woman.
O Superman
Music video for the 1981 song as displayed in the MOMA, New York.
Sally Potter
A survey of director Sally Potter's work documenting and exploring her cinematic development.
Walk With Me, Walk With Me, Will Somebody Please Walk With Me
This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas. This item is referenced in the Making Routes Study Room Guide (P1964) and the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)