Catalogue > By Keyword > sound
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Hydrophonics
Development from a former work ‘Breath’, where the sound of the artist’s own heart beating was amplified through water so that spectators could experience the sight of sound. Since this project, Caroline has experimented by sending different sounds thorough water to experience the different formations on the water surface that each sound makes. Over the past two years she has been involved ina period of research to explore this further, working with musicians in order to compose music which is based on the sight of the composition rather than the sound of it and developing new designs for water tanks and speaker systems. Hydrophonics Live event at the Malt Cross Nottingham UK.
Theatre Noise - An International Conference
Programme of the conference about the acoustic environments and auditory phenomena of theatre and performance. Wednesday 22 – Friday 24 April 2009.
Performance Saga - Interview 08 - Alison Knowles
Video, English spoken with German subtitles, recorded 2003 in New York City, published 2008, duration 52 minutes.Accompanying booklet REF. P1232. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Performance Saga - Interview 08 - Alison Knowles
Booklet in German and English Accompanying dvd REF. D1144. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Tracing Shadows
Part of Sacred at Chelsea Theatre, London. This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249)
Kenotaphion
Archival recordings of Armistice Day and Remembrance Sunday two minute silences recorded at The Cenotaph, Whitehall, London, United Kingdom.
Silent Sound
Removed from S/r for Gobsmacked conference at QMUL. Due for return 23/11/10. Two discs with accompanying text. One is from the original presentation at the 2006 Liverpool Biennial. The other is from the 2010 AV Festival.
Sound and Music
Her Noise
Catalogue for the series of exhibitions, performances and screenings that maps the activity of international artists whose practice involves the use of sound as a medium.
