Catalogue > By Keyword > spectatorship
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Theatre and Mind
All performance depends upon our abilities to create, perceive, remember, imagine and empathize. This book provides an introduction to the evolutionary and cognitive foundations of theatrical performing and spectating and argues that this scientific perspective challenges some of the major assumptions about what takes place in the theatre.
Theatre and History
This provocative book meets the supposedly ‘live’ practices of performance and the ‘no-longer-live’ historical past at their own dangerous crossroads. Focussing on the ‘and’ of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot – but often oppositional – arts and acts of time.
The Art and Films of Lynn Hershman Leeson
This first historical and critical analysis of the artist’s work by prominent scholars and the artist herself brings nearly forty years of creative output into focus by tracking the development of her constant themes through each medium. The essays range from formal to theoretical to psychological to poetical analyses. Includes a DVD.
Theatre and The Body
Drawing on many examples from contemporary performance, this book is a provocative starting point for understanding the surprisingly complex relationship between theatre and the body. Foreword by Marina Abramovic.
Not Just a Mirror: Looking for the Political Theatre of Today
The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
The Illuminated Theatre: Studies on the Suffering of Images
A book about theatricality and spectatorship in the early twenty-first century. In a wide-ranging analysis that draws upon theatrical, visual and philosophical approaches, it asks how spectators and audiences negotiate the complexities and challenges of contemporary experimental performance arts.
The Work of Art Is a Parasite
Lola Arias, co-curator of the international urban intervention project Ciudades Paralelas, talks with Bertie Friedman about reappraising notions of public space and spectatorship.
Études Irlandaises – Suppressed Voices: The Suffering and Silencing of Irish Institutional Abuse Sur
This essay extracted from Études Irlandaises (n° 39-1) examines “Redress” (2010-2012), a series of performances by artist Áine Phillips that interrogate the legacy of abuse perpetrated in Irish residential institutions in the 20th century.
Trauma-Tragedy: Symptoms of Contemporary Performance
Investigates the extent to which performance can represent the ‘unrepresentable’ of trauma.
Going Public
Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.
