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Catalogue > By Keyword > spectatorship

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One Day Symposium: Being Seen Being Heard (Part 2)

Artist/Author: Various | Reference: D1722 | Type: DVD

Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.

Plays One: My Arm, An Oak Tree, ENGLAND, The Author

Artist/Author: Tim Crouch | Reference: P1791 | ISBN: 978-1-84943-109-5 | Type: Publication

Play collection.

Seven Easy Pieces

Artist/Author: Marina Abramović | Editor: Directed by Babette Mangolte | Reference: D1669 | Type: DVD

See also D0342 for still images, and P1002 essays and catalogue.

Twentieth Century Theatre: A Sourcebook

Editor: Richard Drain | Reference: P1755 | ISBN: 0-415-09620-0 | Type: Publication

Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.

On ‘Publics’ A feminist constellation of key words

Artist/Author: Jill Dolan | Editor: Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | Reference: A0362 | Type: Article

Traces Dolan’s key terms – ‘publics’, ‘feelings’, ‘practice’, ‘utopian performatives’ and ‘performance’ – personally and politically rather than from a strictly scholarly perspective.

Imagine Me To Be There

Artist/Author: Sylvia Rimat | Reference: D1614 | Type: DVD

An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.

Encountering Art

Artist/Author: Dave Beech | Reference: A0313 | Type: Article

Review of Jacques Ranciere’s The Emancipated Spectator

Comedy, Tragedy, and “Universal Structures”:

Artist/Author: Margherita Laera | Reference: A0324 | Type: Article

On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.

Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance

Artist/Author: Jason Farman | Reference: A0262 | Type: Article

This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.

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