Catalogue > By Keyword > spectatorship
30 results | Page 3 of 3
Perform, Repeat, Record: Live Art in History
Bringing together contributors from dance, theatre, visual studies, and art history, the publication addresses the conundrum of how Live Art is positioned within history.
One Day Symposium: Being Seen Being Heard (Part 2)
Being Seen Being Heard, Symposium at Sacred: Keeping the Faith, festival at Chelsea Theatre, London, 24-28 November 2011.
Plays One: My Arm, An Oak Tree, ENGLAND, The Author
Play collection.
Seven Easy Pieces
See also D0342 for still images, and P1002 essays and catalogue.
Twentieth Century Theatre: A Sourcebook
Richard Drain, Twentieth Century Theatre: A Sourcebook, performance studies, featuring performance texts and critical essays from a range of sources.
On ‘Publics’ A feminist constellation of key words
Traces Dolan’s key terms – ‘publics’, ‘feelings’, ‘practice’, ‘utopian performatives’ and ‘performance’ – personally and politically rather than from a strictly scholarly perspective.
Imagine Me To Be There
An inventive, participatory and humorous performance that playfully challenges the conventions of theatre, watching and our imagination.
Encountering Art
Review of Jacques Ranciere’s The Emancipated Spectator
Comedy, Tragedy, and “Universal Structures”:
On Societas Raffaello Sanzio’s Inferno, Purgatorio, and Paradiso.
Surveillance Spectacles: The Big Art Group’s Flicker and the Screened Body in Performance
This article analyzes the question of where the dominant mode of production lies – on the screen, where action and a singular character identity cohere, or behind the screen, where the embodied difference of the actors is continually prioritized.
