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Catalogue > By Keyword > Swiss Live Art

36 results | Page 4 of 4

Doris Stauffer: A Monograph

Artist/Author: Doris Stauffer | Editor: Simone Koller, Mara Züst | Reference: P4142 | ISBN: 978-3-85881-760-0 | Type: Publication

A monograph of the work of artist Doris Stauffer with texts by Doris Stauffer, Michael Hiltbrunner, Kay Turner, Andrea Thal, and Mara Züst.

Kindly donated for the Swiss Live Art Study Room Guide.

Porte Rouge (Joa Iselin, Christoph Razenhofer): Karabuki (Drawings)

Artist/Author: Porte Rouge (Joa Iselin, Christoph Ranzenhofer) | Editor: Barbieri Bucher | Reference: P4141 | ISBN: 9783-3-033-07215-2 | Type: Publication

A selection of drawings.

Kindly donated for the Swiss Live art Study Room Guide.

 

Porte Rouge (Joa Iselin, Christpher Ranzenhofer): Karabuki (Photographs)

Artist/Author: Porte Rouge (Joa Iselin, Christoph Ranzenhofer) | Editor: Barbieri Bucher | Reference: P4140 | ISBN: 978-3-033-07215-2 | Type: Publication

Photographic documentation.

Kindly Donated for the Swiss Live Art Study Room Guide.

Lotta Gadola: Traces in Sight

Artist/Author: Doris Gassert, Claire Hoffmann, Eva-Maria Knüsel | Editor: Stadt Luzern, Kunsthalle Luzern | Reference: P4139 | ISBN: 978-3-903320-63-5 | Type: Publication

A monograph dedicated to the work of Lotta Gadola.

In German and English.

Kindly donated for the Swiss Live Art Study Room Guide.

Pascale Grau: Rollenwechsel

Artist/Author: Irene Müller, Katrin Grögel, Helen Hirsch, Sabine Schaschl | Editor: Irene Müller | Reference: P4138 | ISBN: 978-3-941185-64-7 | Type: DVDPublication

A collection of essays on the artist Pascale Grau with dvd of Single-Channel Videos 1994-2008.

In German and English.

Kindly donated for the Swiss Live Art Study Room Guide.

Sibylle Omlin: Smoky Pokership- Perform the Exhibition Space

Editor: Sibylle Omlin | Reference: P4130 | ISBN: 978-3-86984-413-8 | Type: Publication

This book focuses on the possibility of rethinking the static model of installation and exhibition and exploring the way in which ‘performative’ approaches, adopted by artists and curators alike, can reframe the exhibition and its work as an environment subject to formal, temporal or relational transformation.

Donation

£