Catalogue > By Keyword > Tate
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Not so Green Capitalism : Disobedience Against Artwashing
Article in Consented Issue 9 : Environment
Which exhibition would you like to see at the Tate Gallery?
Female artists; suggestions to Nick Serota, as Tate expands to a fourth London gallery.
Liquid damage on publication.
PLAYING UP: A Live Art Game for Kids and Adults (second edition)
Second edition of the artwork exploring the potential of Live Art to bridge generations.
Histories of Performance Documentation: Museum, Artistic, and Scholarly Practices
Traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events.
Birthmark: Tattooing in the gallery
Exploring the ritual / performance / intervention that marks the tattoo-receivers journey from birth in parallel with the rise in carbon emissions that cause climate change.
Part of the Library of Performing Rights (LPR) (P3041).
PLAYING UP: A Live Art Game for Kids and Adults (German)
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together. In German.
PLAYING UP: A Live Art Game for Kids and Adults
Exploring the potential of Live Art to bridge generations andrawing on key Live Art themes and seminal works, PLAYING UP takes the form of a game played by adults and kids together.
Create News May 2012
Print newsletter from Create Ireland, with guest writer Joshua Sofaer introducing the Collaborative Arts Performance Pack.
Confronting the Institution in Performance: Liberate Tate’s Hidden Figures
Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.
Illiquid Assets
Pandering to the real or imagined demands of private finance distorts the art world, silencing dissent and stifling politically or socially engaged art in favour of consensus and what is known in the trade as ‘investment grade art’.