Catalogue > By Keyword > Tate
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Artwash: Big Oil and the Arts
Published on the fifth anniversary of the BP Deepwater Horizon disaster, Artwash is an intervention into the unsavoury role of the Big Oil company’s sponsorship of the arts in Britain.
Birthmark Exhibition Guide
Birthmark – a live unsanctioned performance was performed in the 1840s gallery of ‘A BP Walk Through British Art’ at Tate Britain on the 28th November, 2015, the start of the Paris climate talks.
The Tanks at Tate Modern
Programme notes from Tate Tanks 18 July – 28 October.
How John Browne, BP and the Old Boys Network keep the arts well-oiled.
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Take the money and run?
This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.
Not If But When: Culture Beyond Oil
A publication that sets out to discuss oil sponsorship of the arts. Part of the Platform Study Room Guide (P1820).
Liberate Tate: Collected Works 2010
Archive of the work by the art activist collective exploring the role of creative intervention in social change
Art as Commodity, Art as Economic Power
Third Text article.
Exchange: Artists, Young People
The articles in this issue ask questions such as; what do artists have to offer young people in projects brokered by galleries or other art organisations? Which artists choose this sort of work, and how does it relate to the rest of their practice? What kind of meditation is required in different contexts?
Live Culture Symposium: Performance and the Contemporary
Lecture given by Guillermo Gomez Pena from Live Culture Symposium: Performance and the contemporary at TATE Modern, 29-30 March 2003.This documentation has since been presented with the permission of the artist as part of the Performance Matters, Performing Idea, Performance Lecture Archive; an interactive video archive housed at the Whitechapel Gallery between 2-9 October 2010. The archive looked at examples of the performance lecture as a form of artistic and critical expression and its potential to address a broad range of cultural issues and philosophical ideas.
