Catalogue > By Keyword > technology
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reshaping space: focusing time
On Multimediales, at ZKM, Germany.
The Wooster Group - no relation
On the Group's Brace up! and Fish Story.
Body Mécanique: Artistic Explorations of Digital Realms
Exhibition catalogue. 19 September 1999 – 3 January 2000, Wexner Centre for the Arts, The Ohio State University.
Touch Me Festival 2017
Festival / exhibition catalogue. 6-18 October 2017.
In Croatian and English.
Mudança de Cena
Documentation from the three year project with young people in conflict with the law and at social risk in Rio de Janeiro.
Part of the Library of Performing Rights (LPR) (P3041).
Corset Cut
A performance for video, shot in one take; features the artist being cut out of a corset by her mother.
4mins/silent/single play or loop/4:3
Part of the Library of Performing Rights (LPR) (P3041).
Bioart Kitchen: Art, Feminism and Technoscience
Explores a wide spectrum of seemingly unconnected subjects, which, when brought together, offer a more inclusive, expansive history of bioart, namely: home economics; the feminist art of the 1970s; tissue culture methodologies; domestic computing; and contemporary artistic engagements with biotechnology.
Library Juice Concentrate
A compilation of the best of Library Juice, an e-zine that dealt with foundational questions of librarianship during a period of rapid change.
Part of the Library of Performing Rights (LPR) (P3041).
Obfuscation: A User’s Guide for Privacy and Protest
Authors offer ways to fight today’s pervasive digital surveillance — the collection of our data by governments, corporations, advertisers, and hackers. To the toolkit of privacy protecting techniques and projects, they propose adding obfuscation: the deliberate use of ambiguous, confusing, or misleading information to interfere with surveillance and data collection projects.
Documenting Performance
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.