Catalogue > By Keyword > technology
181 results | Page 7 of 19
Null Object: Gustav Metzger thinks about nothing
E:vent
E:vent was established by Colm Lally as an artist-run project space in 2003. The programme, which ran from 2003 to 2011, included 120 events (performances, exhibitions, talks and screenings), with contributions from over 400 artists, curators, thinkers, talkers and provocateurs of various kinds. This publication is dedicated to the vibrant and generous community of people involved in producing this rich body of work.
Feminist and Queer Performance: critical strategies
Feminist and Queer Performance traces a rich personal, political and theatrical history. Mapping the central theoretical strategies of interpretation in feminist and queer studies, and examining the leading performance artists in the field, each chapter responds to and is situated in the lively and compelling debates of the moment.
Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Digital Frontiers / Index on Censorship Volume 41, number 4
Activists and journalists are using technology to get vital news out and bring about change – index looks at the key players in the fight for digital freedom.
(Syn)aesthetics: Redefining Visceral Performance
Approaches to thinking, writing, producing and receiving (syn)aesthetic performance
Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
Tetine – Experimental Video Compilation
Video compilation of selected performances by the mixed-media Brazilian duo Tetine: Samba de Monalisa – Tetine vs Sophie Calle; Tropical Punk; Shiva; Voodoo Dance; Revolver; Dance to Death; Mata Hari; Verite; Macumba; Let the X be X.
I Hope You Enjoy Your Stay
Video document of the performance by the mixed-media Brazilian duo Tetine, recorded live at the Stenersen Museum, Oslo, September 2012.
The Red Light Bandit
Video document. The mixed-media Brazilian duo Tetine perform a new score for the 1968 movie The Red Light Bandit rearranging its narrative through spoken and pre-recorded voices, found sounds, electronic music, plain love songs and manifestos.
