Catalogue > By Keyword > terror
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Trap Door: Trans Cultural Production and the Politics of Visibility
Delves into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms.
Part of the Library of Performing Rights (P3041).
Nothing to Lose but Our Fear: Activism and Resistance in Dangerous Times
Delivers a counter blow to the rampant culture of fear fuelled by the likes of CNN, Fox and the Daily Mail. Exploring contemporary and historical manifestations of this controlling force, the conversations in this collection go beyond just scrutinizing what constitutes rational versus irrational fear, or identifying ways in which human fears are manipulated by political players. They reveal how fear antagonizes and changes our subjectivity and, crucially, how the political use of fear has been resisted in different times and places, by different people across the globe.
Part of the Study Room Guide on Live Art and Displacement (P3107).
The Origins of Totalitarianism
Arendt provides a historical account of the forces that crystallized into totalitarianism. The ebb and flow of nineteenth-century anti-Semitism (she deemed the Dreyfus Affair a dress rehearsal for the Final Solution) and the rise of European imperialism, accompanied by the invention of racism as the only possible rationalization for it.
Terror and Performance
A case for seeing terror as a volatile and mutant phenomenon that is deeply lived, experienced and performed witin the cultures of everyday life.
Beyond Boundaries: the arts after the events of 2001
Documentation of a speech given by Peter Hewitt. 18 March 2002.
Embedded Art - Art in the Name of Security
Catalogue is accompanying the homonymous exhibition. 24 January – 22 March 2009.