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The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication

Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.

Aaron Williamson Action Hero activism Agata Siniarska amateur Andriy Zholdak Andy Smith artists audience Augusto Corrieri autobiography Back To Back Theatre Blast Theory body Brett Bailey capital Chris Goode cinema Clod Ensemble Constantin Chiriac criticism Dah Theatre Dalia Basiouny David Chisholm Deepan Sivaraman Derevo devised theatre diary disability documentary theatre Dood Paard Dries Verhoeven economy Eleanor Bishop Eleonora Fabião Every House Has A Door Farah Saleh Gecko gentrification Getinthebackofthevan Gibson/martelli Gob Squad Heiner Goebbels Hiwa K Hotel Pro Forma Imitating The Dog immersive intervention Jérôme Bel Junnosuke Tada Kira O'Reilly La Fura dels Baus lecture performance Liu Chengrui London Lone Twin María José Contreras Lorenzini memory Michael Pinchbeck Mike Pearson Mohammad Aghebati Monster Truck Needcompany New Art Club Oblivia Oliver Frljić Ontroerend Goed Padmini Chettur participation Patricia Ariza performance Peter Sellars politics protest public space Punchdrunk Quarantine Reckless Sleepers Ridiculusmus Rimini Protokoll Sankar Venkateswaran Serbia Shirotama Hitsujiya Shunt Silvia Mercuriali Silviu Purcărete site specific Sleepwalk Collective Socìetas Raffaello Sanzio space stage Tammy Brennan Tania Bruguera Tess De Quincey The Builders Association theatre theory Third Angel Tim Crouch Toshiki Okada Ultima Vez Unlimited Vincent Dance Theatre Wendy Houstoun Xing Xin

Body Show/s: Australian viewings of live performance
Editor: Peta Tait | Reference: P3920 | ISBN: 978-9042014732 | Type: Publication

Critical analyses of cultural spectacle and social identity by eighteen major Australian scholars and practitioners.

Aboriginal Adrian Kiernander Angharad Wynne-Jones animal Anne Marsh Australian Dance Theatre Bell Shakespeare Bill Dunston body Butoh choreography Chrissie Parrott circus colonialism community Cynthia Barnes dance Death Defying Theatre Edward Scheer ethnography gender Gilgul Theatre Gorgeous George Jane Goodall Jonathan Bollen Julian Meyrick Karen Pearlman Kerrie Schaefer Lyndal Jones masculinity Meryl Tankard Open City performance Peter Eckersall postcolonialism queer Rachel Fensham Ravishing Ricky Rude Sharon Mazer space Stelarc Sydney Front technology Tess De Quincey theatre training Urban Theatre Projects visual art Wrestling Yumi Umiumare

What Is Performance Art?: Australian Perspectives
Editor: Mimi Kelly, Adam Geczy | Reference: P3737 | ISBN: 978-0909952938 | Type: Publication

Looks at the rich history of performance art in Australia through a multitude of perspectives. With this collection's thirty-nine contributions by scholars, curators, and artists covering more than three decades of practice, readers will enjoy both a comprehensive overview of the Australian performance art landscape and a rich trove of personal reflections from some of its pioneers and main proponents.

Adam Geczy Agatha Gothe-Snape Anne Marsh archive Blair French Blak Douglas Bonita Ely Brad Buckley Charles Green Deej Fabyc Denis Beaubois documentation Edward Scheer Hannah Mathews Heather Barker history Ian McLean Ilmar Taimre Ineke Dane Janelle Evans Jason Sweeney Jill Orr John Conomos Julie Rrap Julie Vulcan Laini Burton Mark Shorter Mary Knights Maurice O'Riordan Michael Goldberg Mike Parr Mimi Kelly Paul Mumme Peter Kennedy Rex Butler Robert Nelson S. J. Norman Sarah Miller Sean Lowry Tess De Quincey Tim Johnson

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