Ai Weiwei, edited and translated by Lee Ambrozy, Ai Weiwei’s Blog, 2006-2009. This book offers a collection of Ai’s online writings translated into English – the most complete, public documentation of the original Chinese blog available in any language.

Aye Ko, Solo show: New Media Art, 2nd-8th November 2009, Lokanat Gallery Yangon

Highlights from the artist’s first UK solo exhibition at Rivington Place.

*currently unavailable*

LOW PROFILE are Rachel Dobbs and Hannah Jones, based in Plymouth they have been working in collaboration to make live art since 2003. Documentation of the Plymouth based duo, offering another ‘way in’ to LP’s performances. Some items are delicate!

Shelved in Oversize publications section.

Dirty Literature: Electra presents a series of performances and readings exploring the moment when language threatens (or promises) to become illegible, at the National Portrait Gallery, 2011, curated by Fatima Hellberg.

Project documentation.

Performance texts and documentation from queer solo performances.

All documents held in a brown paper envelope, labelled ‘Soro Performance Unit’. SORO means ‘The land contains the seed’ or ‘small road’ – it is intended to question the background to contemporary art activity from the perspective of human activity.

Rita Leppiniemi, Yemen Latitudes: An Exploration of the Everydayness in Arabia Felix, map, images, and cartoons of Yemen, texts by Rita Leppiniemi, Mahmoud Al-Hakimi, Yasser Al-Mayasi, Hassan Al-Zaidi, Hassan Al-Haifi, Montaha Sultan Fara.

Performance Matters Performing Idea Dialogues,Toynbee Studios 04.10.10:Choreographer Jonathan Burrows and writer and curator Adrian Heathfield have developed a dialogue around the relationship between writing and dancing. They were interested in exploring the creative tension between the distinctive affects of embodied actions and spoken words, investigating their different roles in the making and receiving of meaning. They were fascinated by those moments of intensity – unforgettable yet unspeakable – where something of life is disclosed between sense and sensibility. What are the relative weights of gestures and words in a performance space? How can each open to the other? What place does music occupy in a negotiation between muted movements and sonorous words? What might be some principles of composition for a generative relation between creative writing and choreography?