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Daring to be Present: An Interview with Carlyle Reedy
The interview aruges for visibility of Reedy as a force of innovation where she is wrongly, and yet expectedly, absent from mainstram cultural institutions.
The Future Show
The Future Show is both a performance and an on-going project. It is a piece that tells the story of a one person's future, starting from the end of a performance and going until the end of her life.
Rambles with Nature
This book explores the hedgerow from many different angles, through many different art-forms and with many different collaborators. Includes writing by Lucy Cash, Maddy Costa, Mary Paterson, Rajni Shah, Sue Palmer. Illustrations by Mel Sheppard. Pocket-size book in large folder.
LOW PROFILE
Between 2013-2014 LOW PROFILE were Artsadmin bursary supported artists. As part of their bursary, LOW PROFILE presented a showcase titled, The Event Formerly Known As Stand Ins at Toynbee Studios, producing a newly updated version of the LOW PROFILE newspaper for this event.
Firing the Can(n)on of Disability Arts
A short film mixing animation, live-art, spoken word and an original soundworld to challenge the absence of disability art.
Temporal Drag
The five works by Pauline Boudry and Renate Lorenz featured in this publication intervene in time-related discourses and practices. Texts by Mathias Danbolt, Diedrich Diederichsen, Elizabeth Freeman, Denis Pernet, Marc Siegel, conversation with the artists by Andrea Thal.
Emma Smith
Documents from the performances “A Greaât Stitheram” in the Greyfriars, Lincoln, and “Change in Energy = the Work” at Arnolfini.
Multiple Occupancy: Eleanor Antin’s ‘Selves’
From 1972-1991, Eleanor Antin created multiple personae of different genders, races, professions, historical contexts and geographical locations. This book, issued in conjunction with a 2013 exhibition at the Miriam and Ira D. Wallach Art Gallery, explores these works
Sanatorium Operations Manual
From the Cutting-Floor of the Public Poem
Documenting Alain Arias-Misson’s ‘public poem’ projects over the last 45 years. With an essay by Roger D’Hondt
