Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the second publication – Unsound Method II – the pages of Heart of Darkness are again redacted, this time in black, and leaving only words associated with darkness – night, gloom, shadow, black and so on – as visible traces on the page.

Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the first publication – Unsound Method I – the pages are redacted in white and only words associated with light – day, bright, sun, morning and so on – remain visible, carving out a poem which was always present in the material of the original novel.

This journal can be found in ‘Miscellaneous’.

Pamphlet from Harmsworth’s Magazine, August 1899. Illustrated short story pamphlet.

Can techniques traditionally thought to be outside the scope of literature, such as cutting and pasting, databasing, identity ciphering, and programming, inspire the reinvention of writing? As Goldsmith shows, the Internet and digital environment present writers with new opportunities to rethink creativity, authorship, and their relationship to language.

What distinguishes Pagnes and Stenke from other artists is that besides their continuing practice, which has taken them to major art centres around the world, they are also interested in the theoretical aspects of communication, in decoding the hidden fabric of art and of artistic activity. This book is divided into two sections, one devoted to theoretical aspects and the other is devoted to artistic practice.

A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.

David Wojnarowicz's photography, painting, performance, and writing aggressively challenge authority and hypocrisy. Brush Fires in the Social Landscape brings us the voice of an artist who spoke to and for a generation wrestling with issues of sexuality, identity, and the fragility of life.

Part of the Library of Performing Rights (LPR) (P3041).

Artist book. Based on the artist performances during the 1990s.

Commemorative Edition of Vaccum Days to mark the state funded funeral of former prime minister Margaret Thatcher, available to download on the day of the funeral only, 17/04/2013.