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Acts and Apparitions: Discourses on the Real in Performance Practice and Theory, 1990-2010
Artist/Author: Liz Tomlin | Reference: P2470 | ISBN: 9780719083723 | Type: Publication
Examines how contemporary performance practices have been driven by questions of The Real and the consequent political implications of the concept’s disintigrating authority.
Adrian Howells
audience
audio performance
autobiography
avant-garde
Baudrillard
Forced Entertainment
Howard Barker
Jacques Lacan
Liz Tomlin
Ontroerend Goed
performance
performance art
performance theory
politics
post-structuralism
postdramatic
postdramatic theatre
postmodernism
real
reality
Roland Schimmelpfennig
Situationists
spectator
the real
theatre
theory
Tim Etchells
Uninvited Guests
Wooster Group
Sacred Symposium: A Make Believe World
Artist/Author: Aoife Monks, Sophie Nield | Reference: D1524 | Type: DVD
Value is an expression of belief: if we believe that such and such a company, or bank, possesses the assets it purports to possess, then, in effect, those assets exist. The moment we stop believing, the value of the company or bank collapses, and the assets in question cease to exist. A credit crunch is what happens when people suddenly stop believing in the financial system – or when we start to wonder why we believe what we are seeing on stage. Symposium Notes
acting
ADS
belief
Chelsea Theatre
credit
dependence
imagination
Jen Mitas
Karen Christopher
Lois Weaver
Magic
Make Believe
money
New York City Players
Nicholas Ridout
performance
pretence
pretending
provocation
reality
Richard Foreman
Richard Maxwell
SACRED
Sara Jane Bailes
Sara Juli
the real
theatre
US Radical
Vallejo Gantner
value
