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It’s All Allowed: The Performances of Adrian Howells - review
Book review.
Performing Failure? Anomalous Amateurs in Jérôme Bel’s Disabled Theater and The Show Must Go On 2015
The article interrogates the use of amateur and professional disabled performers in the emerging strain of performance practice known as ‘performing failure’.
Imagined Theatres: Writing for a Theoretical Stage
Collects theoretical dramas written by some of the leading scholars and artists of the contemporary stage. These dialogues, prose poems, and microfictions describe imaginary performance events that explore what might be possible and impossible in the theatre.
Queer Performance and Contemporary Ireland: Dissent and Disorientation
Examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Shoot the Sissy
A disturbingly beautiful freak show, a queer menagerie of carnivalesque contortion and florid fantasy.
Directed by Sam Williams.
23'09''
Trans-Spectator: The spectator’s bodily participation in Via Negativa’s performance Bi ne bi
Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.
Oceanic Geographies: The fluid dramaturgy of Caridad Svich
Looking back on the experience of directing the world premiere of Svich's play at the University of Missouri.
Towards an embodied poetics of failure
Exploration of violence and trauma in needcompany’s Marketplace 76.
It’s All Allowed: The Performances of Adrian Howells
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
Walking Failure
A five-minute performance piece mixing movement and lipsynching.
Directed by Sam Williams.
6'15''