Catalogue > By Keyword > theatre
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Feminist Futures? Theatre, Performance, Theory
Feminist Futures? sets out to ask if and in what way feminism remains relevant to theatre and performance practice of the twenty-first century. Responding to this question is an excellent, cross-generational mix of theatre scholars and practitioners whose essays engage in lively, cutting edge critical debates on issues such as citizenship, autobiography, cultural heritage, political agency, and body/technology, as circulating in contemporary feminism and performance today.
Midnight at the Palace: My Life as a Fabulous Cockette
In this richly detailed memoir, Pam Tent offers a fascinating glimpse into the tumultuous life of a liberation movement – both artistic and sexual – whose influence is still apparent in the worlds of theatre, music, fashion, gay politics, gay spirituality, and urban club life.
Disco Relax
Ground Plans For Paradise
200% & Bloody Thirsty
Women of the Underground: Art: Cultural Innovators Speak for Themselves
In a series of twenty-four candid interviews with influential women artists, author Zora von Burden gives some of the most influential cultural innovators of this generation a voice, and probes the depths of how and why they broke through society’s limitations to create works of outstanding measure.
Great Lengths: Seven Works of Marathon Theater
Kalb weaves his impressive historical knowledge of theatre into detailed descriptions of marathon productions he has seen and studied.
Rabih Mroué: A BAK Critical Reader in Artists’ Practice
The publication presents an array of challenging interpretations of and reflections on Mroué practice contributed by diverse group of artists, curators, art historians, and theorists.
Divadlo Archa – Archa Theatre
Catalogue of activities and productions of Archa Theatre a space for contemporary theatre, music, dance and other genres based in Prague, from 1994 to 2000.
Einstein on the Beach
An Opera in four acts for ensemble, chorus and soloists. Music & Lyrics: Philip Glass.Design & Direction: Robert Wilson. Performed by The Philip Glass Ensemble. Spoken text: Lucinda Childs, Gregory Dolbashian, Jasper McGruder, Sheryl Sutton. Recorded January-June 1993 at The Looking Glass Studios, NYC.